Shaping the Stein collection’s Dunhuang corpus (2): the items from Cave 17’s ‘miscellaneous’ bundles

In a previous blog post , we looked at the instrumental role played by Wang Yuanlu during the selection of the items from the Cave 17. Wang, who directly chose from the small repository what to hand over to Stein for inspection, was very keen to divert his attention from the so-called ‘regular’ bundles, which were composed for the most part of Buddhist sutras in Chinese and Tibetan. During their first ever transaction, which took place between 21 May and 6 June 1907, Wang Yuanlu therefore began by handing over the ‘miscellaneous’ bundles, which he seemed to hold in low estimation. To Stein’s delight, these contained mixed and diverse materials, such as manuscripts in non-Chinese languages, illustrated scrolls, paintings, drawings, ex-votos, textiles, etc. Stein picked out any of the items that jumped at him as being particularly interesting and made sure to put them aside for ‘further examination’, the phrase that he used to refer to their removal in his transaction with Wang. This

Authenticity and Transparency in Digital Projects: IDP

In 2014 Paschalia Terzi from the University of Borås, Sweden, spent six months on an Erasmus scholarship with IDP in London working on her MA thesis on the concepts of authenticity and transparency in digitisation projects. Her MA was awarded in 2015 and her thesis is now available for download.

She writes:

"Cultural institutions that hold unique and valuable physical items only for restricted access until now are experiencing a change that demands them to take up the role of information providers as well. The International Dunhuang Project is a digitization project that has been taken as an example to investigate this phenomenon and more particularly issues of trustworthiness and how it can be established in the digital environment. Two concepts have been found to form the basis of its assessment in the online world, authenticity and transparency. Authenticity is a concept borrowed from the existing practice of cultural institutions like museums and archives but transparency is a new demand that has come along with internet and the WWW. Through the examination of components of IDP's website like online documents, metadata and images along with interviews with the producers of the project, an attempt has been made to understand how trustworthiness is perceived by the producers of the project and how they have implemented it on the material of their website."

Comments